SHOULD I GET TV PAINT OR DIGICEL FLIPBOOK FOR FREE
SHOULD I GET TV PAINT OR DIGICEL FLIPBOOK SOFTWARE

SHOULD I GET TV PAINT OR DIGICEL FLIPBOOK SOFTWARE

The main reason I try to reject all adobe software out of my workflow. I think get your point: TVPaint is to expensive to be used by hobbyists and animation beginners and the question is will they switch their software if they turn pro? But a more stripped down software wouldn't be useful anymore I guess.Īnd cloud subscription is maybe a good model for big companys, but if you don't plan to buy every new version, you will pay a lot more. TVPaint going out of business would be like my Cintiq dying, I'd be boned, I do worry about it sometimes.

I know a lot of guys in studios using TVPaint, but not general hobbyists. I'm no businessman, but maybe it's time for TVPaint to get aggressive and sell a more stripped down version or look into cloud subscription plans? A ton of wannabe animators on Tumblr these days that will be suckers for Toon Booms bull****. Go and reverse engineer PaintMan and don't feel bad, because Celsys have parked their tanks on your lawn by ripping off your timeline that they introduced to Clip Studio Paint 1.5.0, as have the guys who develop the free painting software Krita. I personally think TVPaint should focus on the anime industry, that industry is absolutely crushing everything else right now and Retas Studio (therefore Japan) has a monopoly on it, it's a good time too since I hear more and more are turning 'tradigital'. Toonz Harlequin has a superior deformer and CelAction has superior rigs, TVPaint and even good old DigiCel FlipBook (new version soon?) are superior at hand-drawn, Harmony is a jack of all trades Adventure Time copy machine.

SHOULD I GET TV PAINT OR DIGICEL FLIPBOOK FOR FREE

They did have Personal Learning Editions (PLE) of Animate Pro anybody could download and use before the recent rebrand so I don't think offering their software for free is new to their business model. In my very first post on this forum I criticized Toon Boom for not listening, I don't know why people use their software.

It looks like 2D trying to be CGI, the reverse of Paperman, they both share an identity crisis and they've succeeded in rubbing out the artists hands, the very thing many people are fighting against, studios like Pixar are trying to turn aesthetics like this into one-click solutions. Am I alone in thinking that animation is terrible? Apologies to anyone who works on the film Klaus but you couldn't cram more tropes in if you tried, right out of the 1950s Disney playbook.

Should i get tv paint or digicel flipbook